Keywords
Museums
Technology
Cultural Heritage
Aesthetic Experience
Affectivity
Abstract
The purpose of this testimony is to motivate the face-to-face visit to museums, in a world -the post-covid- that induces us to equate virtuality with life experience; and remote visits through electronic devices, with the real aesthetic confrontation experience, which requires involving all our senses.
Starting with the notion of FEELING in front of the exhibits and “museum” devices, the Italian philosopher Mario Perniola has pointed out that one of the problems of the contemporary individual is that we repeat what has already been felt by others and in a few words: We don't know how to feel.
Can the museum be a way of experiencing our feelings?
References
Bibliografía:
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Villoro, Juan. (7 de mayo de 2021). Mundo dron. Reforma, 9.
Vallejo, Irene. (2020). El infinito en un junco. (Primera ed.). España: Siruela.
Idema, J. (2014). How to visit an Art Museum. (Primera ed.). Ámsterdam: BIS.
Ackerman, Diane. (1990). Una historia natural de los sentidos. (Tercera ed.). España: Anagrama.
Lord, G. D. & Lord, B. (1999). The Manual of Museum Planning. (Primera ed.). Reino Unido: The Stationery Office.
Malraux, André. (1965). El Museo Imaginario. (Primera ed.). España: Cátedra.